Nov 10, · An Animal’s Place By Michael Pollan The New York Times Magazine, November 10, The first time I opened Peter Singer’s “Animal Liberation,” I was dining alone at the Palm, trying to enjoy a rib-eye steak cooked medium-rare. If this sounds like a good recipe for cognitive dissonance (if not indigestion), that was sort of the idea Aug 16, · Living sites are only as good as today’s update. If the words are dull, nobody will read them, and nobody will come back. If the words are wrong, people will be misled, disappointed, infuriated. If the words aren’t there, people will shake their heads and lament your untimely demise. Writing for the Living Web is a tremendous challenge Jessica Roux is a freelance illustrator and plant & animal enthusiast. She loves exploring in her own backyard and being surrounded by an abundance of nature. Using subdued colors and rhythmic shapes, she renders flora, fauna, food, and many other things with intricate detail reminiscent of old
An Animal’s Place | Michael Pollan
A fox head holding dogwoods in its mouth, created for Something in the Woods, which opened October 1, at Blockfort in Columbus, Ohio. I also living like weasels essay screen printed bandanas for the show, showing the fox and dogwoods surrounded by two snakes.
Featuring koalas, an otter, an Amur leopard cub, giraffes, a Karner blue butterfly, and a panda bear. Illustrations appeared on various products from lotion to soap. Illustration for Lenny Letter for a story by Bett Williams, The Wild Kindness. The story focused on magic mushrooms as therapy. I illustrated 30 coats of arms of the individuals who received gifts of armor from Maximillian I. The first illustration shows the sample illustration, from which we moved into a living like weasels essay linework-focused style for the final artwork.
I Dwell in Possibility, a personal piece created for the WOWxWOW show Evolution of the Essence. Illustration for the New York Times for an article in the Travel section, living like weasels essay, focusing on choosing a travel agent. The Tulsa-based brewery asked me to create an illustration inspired by the name of the brew, and I was inspired by fantastical orreries. Repeat pattern design of black and white beetles, created for Pop Ya Tot, an Australian baby brand.
This was used on the Snug as a Bug swaddle. The Tulsa-based brewery asked me to create an illustration based off the first projectors, often called magic lanterns.
Each slide in the magic lantern is a previous beer label I illustrated for Heirloom. Illustration of a Great Indian Hornbill, created for a benefit to help the Thailand Hornbill Project. I created a limited edition series of 5 signed, hand-embellished prints with gold living like weasels essay details.
Vintage-inspired spot illustrations for the Harpeth Hotel located in downtown Franklin, Tennessee. Illustration for Outside Online for a story about Sami, a cat that went missing. I included lots of details from the storyincluding lost posters, a drop of blood, rose leaves, a crystal ball, and a swooping owl.
The Tulsa-based brewery asked me to create an illustration that incorporated a wheat scythe, a skull mask, and a female brewer. Illustration of Lady Bird Johnson for the March issue of Smithsonian Magazine.
Lady Bird Johnson was the answer to an Ask Smithsonian question about the political advocacy of First Ladies. Every illustration for the Ask Smithsonian section of the magazine is designed in and around the letter Q second image.
The Tulsa-based brewery asked me to create an illustration featuring a classic Oklahoma landscape. The Tulsa-based brewery asked me to create an illustration featuring a longear sunfish, Lepomis megalotisto help raise money for their local chapter of Trout Unlimited.
Cover illustration for Taproot Magazine, MYTH, issue I am Taproot's cover artist, and this is the first of four covers I'll be illustrating for them. For MYTH, I focused on folklore like the tortoise and the hare, mythology like the golden apple and pan flute, and imagery of magic and luck, like the wishbone and mugwort.
Woodland Wardens living like weasels essay an in-progress oracle deck. Each animal is paired with a symbolic plant for introspection and tarot reading. There will be 52 cards total, and it will available for purchase once the project is living like weasels essay. Woodland Wardens is also the name of my solo show at Gallery in Columbia, Tennessee, which ran from Friday, living like weasels essay, October 13th to December 1st, It showcased the first eight cards of the series, as well as my calendar illustrations.
Illustration for author Emily Hawkins. Emily is the author of A Natural History of Fairies. She requested a Victorian stack of books featuring her initials, EH. Illustration of a coyote surrounded by sunflowers and wheat for Heirloom Rustic Ales, a new brewery in Oklahoma. This illustration living like weasels essay the grand opening date and time and was created to be shared on various social media channels.
Each label I illustrated features flora and fauna native to Oklahoma for the Tulsa-based brewery. Plains Beer incorporates a leaping antelope surrounded by wild plains flowers and plants.
Beer label illustration for Heirloom Rustic Ales, a Tulsa-based brewery. Undertow features a whale shark covered with constellations. Breaking, Rectifying - a new illustration for inhabitwhich opened September 7, living like weasels essay, at Helikon Gallery.
The show was curated by John Vogl and is filled with amazing nature themed artwork from female illustrators and artists. A pirate map, inspired by vintage maps, created for Pop Ya Tot, an Australian baby brand, living like weasels essay. This was used on the Treasure Map swaddle.
Poster for Process Group agency for Al Mulinetto Winery, advertising their Nocino, a type of liqueur made from green walnuts. This illustration won the Bronze Swiss Poster Award in the Commercial Regional category. Fig and Goat Cheese Pizza, for the Light Grey Art Lab show Foodies, which opened Friday, April 27th, This recipe is both gluten free and vegetarian, and one of my personal favorites.
Framed prints, unframed prints, and recipe cards are available in the Light Grey Shop. Beware, the Black Shuck for the Light Grey Art Lab show Calamity, curated by Teagan White.
Calamity opened Friday, October 28 in Minneapolis, MN. A little about the lore that inspired the illustration: The Black Shuck is a living like weasels essay, shaggy-haired black dog of British lore - and an omen of death.
It prowls along the coastline and into forests, with its malevolent eyes glowing in the mist. The Living like weasels essay Creation Myth, an illustration for Botanica, a show celebrating the origin of our Earth, living like weasels essay, at Light Grey Art Lab. In the ancient Greek Pelasgian Creation Myth, the Goddess of All Things took the form of a dove, and from her egg all life sprouted forth. Her mate, the serpent Ophion, coiled around the egg until it hatched, spilling out the beautiful, the bizarre, and the decadent flora of the world.
Passion flowers, figs, rafflesia, pitcher plants, titan arum and more erupted and covered the barren landscape. The show opened July 8th, at the Lion's Nest Gallery in Austin, living like weasels essay, Texas. This illustration focuses on the trickster tall tales of Br'er Fox and Br'er Rabbit, popular stories in the Southern United States.
Cover illustration for Taproot Magazine, PRESERVE, issue I am Taproot's cover artist, and this is the second of four covers I've illustrated for them. For PRESERVE, I focused on food preservation techniques, including canning, pickling, drying herbs, and making jams, living like weasels essay. Illustration for Hudson Valley Seed Company's Joker Lettuce seed packet. I illustrated a three card tarot living like weasels essay, featuring the classic imagery of the Fool card, but with Frank Morton the creator of this lettuce type as the fool, standing on a big lettuce head dropping seeds.
On the left is the Three of Cups, for celebration; on the right is the Ace of Wands, for creative new beginnings. Seed packets available through Hudson Valley Seed Company here. Artwork created for the album cover of the band Dahlia, for their first album. Each of the four death head moths represent one member of the band, surrounded by dahlias and other flowers.
Sky Islands incorporates a two scissor-tailed flycatchers with coneflowers surrounding a sky island, living like weasels essay, a unique geological feature of the area. Relict features a jackalope jumping over a reliquary, barley, and laurels. Illustration for the Light Grey Art Lab show Tobeyou, which opened March 3rd, The show was about personal narratives, so I chose to illustrate one of my first pets, Salty the ferret. Salty was always frolicking around, full of playful energy - even when she became sick and lost most of her hair.
She was a good luck symbol to me, even though weasels are often associated with bad omens - so I illustrated good luck symbols around her, like acorns, a wishbone, a ladybug, a snail, a key, and a four leaf clover. Strength, inspired by the strength Tarot card, created for the Louder Coalitionorganization dedicated to supporting and empowering survivors of sexual violence, living like weasels essay.
The strength Tarot card traditionally shows a woman holding the mouth of a lion. The card is about expressing inner strength, enduring obstacles with composure, and understanding compassion and self-worth. A limited edition of 50 signed and numbered giclee prints are available, with proceeds going to the Louder Coalition, living like weasels essay.
I included several sweet-smelling living like weasels essay that would have been used inside the mask historically. Illustration for the September issue of Cincinnati Magazine, about ginseng as a cash crop. You can read it here, living like weasels essay. A Christmas ornament illustrated for Wendell August Forge, who forged it by hand and embellished it with Swarovski crystals.
Lyra was created for Light Grey Art Lab's show Cosmoscelebrating the illuminated night sky with constellations and astral bodies. The illustrations were turned into a fiberoptic light display, as well as a tarot and oracle deck. About the constellation: The great musician Orpheus was said to have the ability to charm all living things with his music. His instrument of choice was the lyre living like weasels essay invented by Hermes, living like weasels essay, but perfected by Orpheus.
Zeus placed Lyra and Eagle among the stars. Tarot and Oracle deck available in the Light Grey shop. Illustrations for Aquila Magazine, a really beautiful magazine for kids ages 8 - 12 in the UK, for their October issue on Bones.
The article focused on osteoarchaeology, so the main image shows some different archaeological tools and findings, and it shows the differences between a typical male skull versus a typical female skull. The second image is of an auroch, an extinct cow-like animal. Almost Wild, Foundling for a WOWxWOW show, Room of a Thousand Doors. These are a limited edition of 25 signed and numbered archival prints, with gold foil details.
Three floral illustrations showing various growth states of a saucer magnolia. Each illustration shows the plant growing progressively larger, for a PDF book on growth marketing from Intercom. Illustration of a bison head for Heirloom Rustic Ales, a new brewery in Tulsa, Oklahoma.
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, time: 1:25The Moral Cost of Cats | Science | Smithsonian Magazine
Kamaitachi (鎌鼬) is a Japanese yōkai often told about in the Kōshin'etsu region and can also refer to the strange events that this creature causes.. They appear riding on dust devils and they cut people using the nails on both their hands that are like blogger.com would receive a sharp, painless wound A liberal (alternately called a left-winger or leftist) is someone who advocates an increase in government spending, power, and control, such as blogger.comls often support the censorship and denial of biblical Christianity and consistently conservative viewpoints. Liberals who are a part of the secular left prefer atheism/agnosticism over the Christian faith, as atheism has no objective Nov 10, · An Animal’s Place By Michael Pollan The New York Times Magazine, November 10, The first time I opened Peter Singer’s “Animal Liberation,” I was dining alone at the Palm, trying to enjoy a rib-eye steak cooked medium-rare. If this sounds like a good recipe for cognitive dissonance (if not indigestion), that was sort of the idea
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